There are some cool areas at National Gallery Singapore(NGS) that are not accessible to the public, either because they are dangerous to get to or because they have become part of their private offices. I was commissioned by NGS to create a two virtual tour installations for two areas at the Old Supreme Court Wing – they are the main dome (the roof) and the prisoners walkway where prisoners walk to enter the court room from their holding cells.
Visitors stand in front of my installation and wave their hands around to navigate the tour without touching the installation. This is important because the installation is permanent and having a contact-less experience would minimize wear and tear. Typical virtual tours would use a headset that would probably break within a year.
This virtual tour is part of the ArchiGallery: Listening To Architecture exhibition where I am also responsible for another exhibit: The Construction Sequence Animation. I could have done the whole video myself but I out-sourced to my go-to 3D modeler, Zig!
This is a video I shot on my phone during the opening ceremony. The animation I made for them has no audio and I had no idea they were going to screen it like that during the opening, so it was interesting to watch the Emcee narrate my work.
You can go experience our project between 2:30pm to 4:30pm everyday at the HUMAN+ Show at the Museum. Why its only open for 2 hours? Its is because the installation requires gallery sitters to help you with the VR headsets.
The user plays as LUMI, an under-utilized robot room assistant. Although LUMI can perform 120 tasks, LUMI’s current user (played by yours truly) has disabled most of its functions and only use it to turn the lights on and off.
So basically, you play as an AI to turn my room lights on and off while creepily watching me in my room. You can choose to obey to me or not. For example: Turning the lights off while I’m having a shower will lead to a hilarious out-come of me coming out the shower with shampoo in my hair.
We shot everything in my room at home, which really saved us a tonne of time because we didn’t need to scout for locations or travel at all; we only had 48 hours from the start to the finish. I’m quite proud of what we done.
My Sunday Afternoon piece is hanging at Galeri Nasional Indonesia (National Gallery Indonesia) as part of their second Sea+ Triennale, ENCOUNTER: Art from Different Lands! The exhibition runs from 18th October to 10th November 2016 – so it is closing soon! (or if you are reading this later, already closed!) Don’t worry though, because I made a 360 walk-though video of the entire exhibition!
42 individual artists and 2 art duos were showing, mostly Indonesian artists. 33 Indonesian, 13 International. I was the only one from Singapore! #SgRepresent
I shall tell the rest of the story with my photos, not very good photos though because my Samsung Note7 was banned on the flight to Jakarta. Samsung compensated me with a shitty Samsung Galaxy J Ace. Most of these photos were taken with my mum’s Note5. Photo quality still shys in comparison to the legendary exploding note7.
Just came back from exhibiting in Amsterdam at A-Lab with three other amazing artists, Jacquelyn Soo, Marc Nair and Zul Mahmod. It was a two day exhibition (9th, 10th October) and I had so much fun watching people tackle my maze with my live CCTV goggles on.
I made a video of my installation. The installation is now known as CCTV goggles; decided to name it what people are already calling it.
This show was an eye opener for me because it took place in a city where marijuana has been legalized! There is weed everywhere! Viewers of my work were saying it was like being high on cannabis because of the out of body experience it was giving them. They went on to describe their trips and I listened inventively because I never smoked weed before.
Singapore has this law that bans us from trying weed even outside of Singapore (yes, even in Amsterdam). Damn it Singapore…. I guess my CCTV goggles would be the Singaporean way to get high lol
I also brought my lizard goggles there. I reserved it for those who proved themselves worthy in the maze. There were people who adapted really quickly and breezed pass the maze and there were a rare few who got stuck and gave up.
Huge thanks to Stephane Blokhuis for helping us put the show together in Amsterdam – she got busy early this year sourcing for venues in Amsterdam while the rest of us were looking for funding. Speaking of which – thank you National Arts Council (NAC), Singapore International Foundation (SIF) and generous Indiegogo backers for supporting us!
Last year I exhibited two different types of work at both Singapore Art Museum and the National Museum. It was a really big deal for me though I realized I didn’t blog about them at all! So here are photos from each them.
Singapore Art Museum – Sensorium 360
I had the good fortune of exhibiting my Installation, The Overview Installation, as part of Singapore Art Museum (SAM)’s quarterly exhibitions from 31st July to 22 October 2014.