Dedicated to my younger sister, who has been chasing her harp dreams in Boston for three years now.
I was reminded of how much she was my muse when I stumbled upon all this footage while clearing my computer last week.
Hours of footage, filmed over the last 5 years in different countries. Perhaps from more naive, happy times and in some cases, silly for shooting in low-res lol (Memory cards were expensive!)
I had a hard time distilling all that footage. It is a poetic masterpiece of adoration in my eyes, it makes me cry for realzies.
To my sister: no matter what happens or what you might be going through in Trump land, know that I’ll always be proud of you! I feel like I’ve won the lottery of life to have grown up with a beautiful, kind and talented sister like you
My Sunday Afternoon piece is hanging at Galeri Nasional Indonesia (National Gallery Indonesia) as part of their second Sea+ Triennale, ENCOUNTER: Art from Different Lands! The exhibition runs from 18th October to 10th November 2016 – so it is closing soon! (or if you are reading this later, already closed!) Don’t worry though, because I made a 360 walk-though video of the entire exhibition!
42 individual artists and 2 art duos were showing, mostly Indonesian artists. 33 Indonesian, 13 International. I was the only one from Singapore! #SgRepresent
I shall tell the rest of the story with my photos, not very good photos though because my Samsung Note7 was banned on the flight to Jakarta. Samsung compensated me with a shitty Samsung Galaxy J Ace. Most of these photos were taken with my mum’s Note5. Photo quality still shys in comparison to the legendary exploding note7.
“They also never say where he will come back, mah.”
The Second Coming is an imaginative exploration into the question: what if Jesus chose present-day Singapore as the land of his return? Referencing both prophetic and historical scenes recorded in the Bible, Eugene Soh updates the narratives surrounding the life and death of Jesus, whilst presenting his own meditations on the nature of religion and faith.
This exhibition explores the dynamics behind how religion is made meaningful in society. Founded on the understanding that the events in the Bible are not significant in and of themselves; rather, events draw their significance from their representation in the Bible. By re-creating these events photographically, this collection of images engage in re-presentation, commenting on the fluid nature of how these Biblical events and prophecies can be understood. This exhibition further invites audiences to explore the text of the Bible as one that is comprised of multiple versions of histories, viewpoints, and voices, raising the ultimate question about the nature of religion and faith.
I graduated two years ago from an art school here (Nanyang Technological University). Yes, there is an art school here.
You know like, if someone goes to an art school, you think “Oh, he is going to be an Artist”. That wasn’t the case for NTU. Most of the graduates here end up going a non-artistic kind of route, they become designers or something skill based. I wasn’t any different, I was on track to becoming a programmer, a game programmer, in an arts school. So, how that happened, was because of this picture [The Last Supper image].
I am very glad that I had a lot of free time in NTU. Despite what you think and what art students will say, “Oh they have so many projects, oh this, oh that”. The truth is that we have tonnes of fun [Art school is the funnest school. There was a lot of free time because we could always bullshit our way through assignments that didn’t really interest us and still have a chance at an A.. the “Subjective & Contemporary” kind of assignments.] So, I did this piece in year one, outside of school.
Being open to opportunities
This was in collaboration with Campus Magazine, they are not affiliated with any school, their name is actually called “Campus” and they had a center fold page in the magazine.
They asked me, “Hey Eugene, you are a photographer right?” and I’m like “Yup”. “Do you want to fill it up with your work?” I was a freshman and had this attitude of opening my doors to opportunity, I said yes to everything. I said “Yes” and went to browse my portfolio of photography works.
I wasn’t impressed with myself. it was all like pictures of the shadow of the lamp post on the floor, I thought I was so deep! [Laughter] but those were not suitable for the center fold.
Just came back from exhibiting in Amsterdam at A-Lab with three other amazing artists, Jacquelyn Soo, Marc Nair and Zul Mahmod. It was a two day exhibition (9th, 10th October) and I had so much fun watching people tackle my maze with my live CCTV goggles on.
I made a video of my installation. The installation is now known as CCTV goggles; decided to name it what people are already calling it.
This show was an eye opener for me because it took place in a city where marijuana has been legalized! There is weed everywhere! Viewers of my work were saying it was like being high on cannabis because of the out of body experience it was giving them. They went on to describe their trips and I listened inventively because I never smoked weed before.
Singapore has this law that bans us from trying weed even outside of Singapore (yes, even in Amsterdam). Damn it Singapore…. I guess my CCTV goggles would be the Singaporean way to get high lol
I also brought my lizard goggles there. I reserved it for those who proved themselves worthy in the maze. There were people who adapted really quickly and breezed pass the maze and there were a rare few who got stuck and gave up.
Huge thanks to Stephane Blokhuis for helping us put the show together in Amsterdam – she got busy early this year sourcing for venues in Amsterdam while the rest of us were looking for funding. Speaking of which – thank you National Arts Council (NAC), Singapore International Foundation (SIF) and generous Indiegogo backers for supporting us!